Date: Sun, 6 Jan 2002 22:59:33 -0500 From: Dianne Cowan To: "Johnny at Charm.Net" Subject: My faith I often refer to myself as an agnostic, or more accurately, as "of no particular faith," because these terms are simple ways to get the point across. But thinking back over the past few months, with different folks describing in what, for them, faith consists, it seems important to me to unpack that label, "of no particular faith." When I was about 20, I went to Paris for three days. My travelling companion and I went to Notre Dame in the morning, and the Centre Georges Pompidou in the afternoon. Until this point, I was what might be called a lapsed Catholic. I had been very devout through my teens, but early in my sophomore year I just stopped going to church. People who knew me at the time thought it had something to do with the death of my friend, Andrew Pausley, but in fact, I had stopped going to church a couple of weeks before the accident that killed him. It had nothing to do, either, with the scrutiny we give to the Bible in sophomore year. I stopped going before we began reading the Bible. I just stopped, and I felt no guilt. That's the strange thing. The Catholic Church teaches, and I believed, that going to Sunday Mass is an obligation, and if I ever missed Mass before that, I felt I'd sinned. And yet, I felt no guilt, any more than a little girl who outgrows her clothes feels any guilt. So, a few months later. Laura and I were in Paris. It was February, and it was hailing. We had gone to the Louvre the day before, and I had commented on how the Mona Lisa didn't seem like anything special, locked as it is in a glass case, so tiny and insignificant amongst the throngs of people craning their necks for a glimpse. We joked that the hail was the gods' vengeance for my disrespect of this great work of art, had a nice French breakfast of baked goods and cafe au lait, wrapped ourselves up in most of the clothes we had with us, and set out for Notre Dame. I was walking the perimeter of the very dark cathedral, listening to the hail rattling the stained glass, looking at the Stations of the Cross, and remembering how I'd been taught to pray before them, when I realized that Laura was on the other side of the church, sitting in a pew. I went over to her and saw she was crying. "What's wrong?" I said, but she just continued to sob. Now, I am a crier, but Laura is not. I didn't know what to do, so I put my arms around her and rocked her until she calmed. We spoke no words then, and we seldom speak of it now, though occasionally we'll refer to the day Laura cried in Notre Dame, and once she told me she was just overcome by the weight of it, of the cathedral and the Church in which she, too, had been raised. When we went to the Pompidou, we saw Matisse's workups for the Chapel of the Holy Rosary in Vence -- simple painted paper cutouts of the vestments and especially the windows. Laura was a gallery behind me, or a gallery ahead of me, and the gallery with the Matisse was curiously empty. Or perhaps I was curiously unaware of the strangers around me. In any case, I felt something in me open that had remained closed for a long time, perhaps my whole life, and though I didn't cry out or fall to my knees, I knew I was in the presence of love. It was to all outward appearances the most ordinary of experiences, walking through the galleries of a museum, and yet everything changed in that moment. Later, I said to Laura, "Notre Dame was meant to put the fear of God into you; but Matisse's chapel was meant to put the love of God into you." I am not a Christian, and I do not know enough about other faiths to claim any of them for my own. I feel silly referring to God as though he were looking over my shoulder, and the thought that knowledge is the original sin repels me. I think Eve made the right decision, and faced with her choice, I like to believe I would have made the same one. A God who would condemn me to death for it is jealous and unjust and not my God. Any faith that takes its start from Genesis is not my faith. But since that moment when, 20 years old, I looked at some yellow oak leaves pasted on blue paper, I've known, known in my heart and my gut, that this world is more than the sum of its parts, that if there is a God it is in the spaces between the words, as the Talmud (I think) says. Or perhaps, as trite as it sounds, God is love, and love, which clothes itself in varied garments, is always the same. The feeling I have when I'm with a man I love is the same as the feeling I get when I'm with a woman I love, the trees in the park, Bach, Matisse. Perhaps I belong to the priesthood of Matisse? Dianne Cowan A92